A Breakthrough No One Asked For: Scanning Color Negative Film with RGB
In an exhilarating display of solving problems no one realized existed, a new blog post prattles on about using narrowband RGB light sources for scanning color negative film—an approach apparently revolutionary to exactly the kind of person who insists on 27 different types of lens cleaner. The devout commenters, digital paladins of obsolete tech, dive headfirst into a technical melee, squabbling over color fidelity with the kind of passion usually reserved for Star Wars fanfic debates. Suggestions of esoteric hardware modifications flow like cheap wine at a book club. Everyone agrees on the utter majesty of "minimal post-processing," while casually dropping reminders of their own vast experience in darkrooms or the tragically hip "I shoot film" flex.
Meanwhile, the real world continues blissfully unaware that scanning color negatives is neither an Olympic sport nor a high-stake stock market gamble. But sure, let’s tweak those sliders, champ. 🎞️💡